More than a poplar plank: the shape and subtle colors of the masterpiece Mona Lisa by Leonardo

From National Research Council Canada

DOIResolve DOI: https://doi.org/10.1117/12.705411
AuthorSearch for: 1 ; Search for: 1 ; Search for: 1 ; Search for: 1 ; Search for: 1 ; Search for: 1 ; Search for: 1 ; Search for: 1 ; Search for: ; Search for:
Name affiliation
  1. National Research Council Canada. NRC Institute for Information Technology
FormatText
TypeArticle
Proceedings titleVideometrics IX 9E1103
Series titleProceedings of SPIE; no. 6491
ConferenceThe IS&T/SPIE's Annual Symposium on Electronic Imaging, January 29-30, 2007, San Jose, CA, USA
ISSN0277-786X
1996-756X
SubjectMona Lisa; Joconde; Gioconda; Leonardo da Vinci; 3D imaging; laser scanner; color; underdrawing; glaze; sfumato; Joconde; Gioconda; Léonard de Vinci; imagerie 3D; balayage laser; couleurs; dessin de fond; glacis; « sfumato »
Abstract
During the autumn of 2004, a team of 3D imaging scientists from the National Research Council of Canada (NRC) was invited to Paris to undertake the 3D scanning of Leonardo's most famous painting. The objective of this project was to scan the Mona Lisa - obverse and reverse - in order to provide high-resolution 3D image data of the complete painting to help in the study of the structure and technique used by Leonardo. Unlike any other painting scanned to date, the Mona Lisa presented a unique research and development challenge for 3D imaging. This paper describes this challenge and presents results of the modeling and analysis of the 3D and color data.
Publication date
PublisherSPIE
LanguageEnglish
Peer reviewedYes
NRC numberNRCC 48799
NPARC number5765609
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Record identifier29adf5c9-0907-4bc1-acf2-2e7bec940246
Record created2009-03-29
Record modified2019-02-18
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